Top 10 Best Bollywood Films from the 1980s

 
Top 10 Best Bollywood Films from the 1980s

he 1980s is an era when some of the best Bollywood movies came out.

The die-hard fans adore Bollywood movies from the eighties so much that they proceed to observe them – be it through satellite/cable tv or through prevalent spilling sites.

During this period numerous on-screen characters were at their crest counting Amitabh Bachchan, Vinod Khanna, Rekha, Zeenat Aman, Rekha, Anil Kapoor and late Sri Devi.

Equally a few chiefs were being fundamentally acknowledged for their Bollywood movies, particularly the likes of Yash Chopra, Ramesh Sippy and Shekhar Kapur.

Bollywood movies discharging in the eighties reflected different classes that incorporate sentiment, activity, sci-fi and comedy.

We include 10 best Bollywood movies from the 1980s that you can learn more almost and appreciate when watching:

1980-2000 Bollywood Hit Hindi Movies List | Bollywood hit movie list | All  time Hit Movies - YouTube

Qurbani (1980)

Qurbani is a super hit activity film, actuating the idea of companionship or male holding. The film is an adjustment of the Italian film, The Ace Touch (1980).

Rajesh Kumar (Feroz Khan), a small-time criminal is ln cherish with cabaret artist Sheila (Zeenat Aman).

On two partitioned events, Rajesh spares the life of Amar from the black market pioneer Vikram Singh (Shakti Kapoor) and his sister, Jwala Singh (Aruna Irani).

Meanwhile, the lowlifess wrongfully trap Rajesh for the kill of criminal Rakka (Amrish Puri). This prompts Examiner Amjad Khan taking after Rajesh to the UK.

True to the meaning of the film, Amar penances his life for Rajesh in the climax of the film in country England.

The film has a prevalent soundtrack counting ‘Aap Jaisa Koi’ by late Pakistani pop vocalist Nazia Hassan. Nazia won the Filmfare Best Female Playback Grant for this track.

The music by Biddu was essentially enthusiastic and electrifying.

Silsila (1981)

Silsila is a fruitful sentimental adore triangle, including Bollywood’s finest. Discuss Drive officer Shekhar Malhotra (late Shashi Kapoor) is in cherish with the blameless Shobha (Jaya Bhaduri),

Amit Malhotra (Amitabh Bachchan), the more youthful brother of Shekhar tries to charm Chandni (Rekha) through poetry.

Just when everything is going pleasant for both couples, catastrophe strikes. After Shekhar passes on in war, Amit weds Shobha, relinquishing his relationship with Chandni.

Chandni ties the hitch with DR VK Anand (Sanjeev Kumar) and dwells in the same put where Amit and Shobha live.

Amit and Chandni bump into each other when Shobha loses her infant, taking after an accident.

With their individual accomplices enduring in quiet, the previous couple has an affair.

Despite the two partners eloping, they return back to their conjugal accomplices after Amit spares Dr Anand who is stuck in a bursting air ship on land.

Pamela Chopra, the spouse of late Yash Chopra, composes approximately the institution of marriage and the undertaking between two lovers:

“The marriage is a exceptionally, exceptionally sacrosanct institution in India, and when the executive made sensitivity for the two significant others who were willing to go exterior their marriage and proceed their adore undertaking, he did not carry the gathering of people with him.”

The film highlights the charged real-life issue of Amitabh and Rekha, including more fuel to the fire. Jaya came out of retirement to play her part. Amitabh in his baritone voice sang a few of the hit melodies from the film.

Rekha was at the stature of her excitement, particularly in the Dutch tulip areas for the melody ‘Dekha Ek Khwab.’

Umrao Jaan (1981)

Umrao Jaan is an adjustment from the Urdu novel Umrao Jaan Ada (1905) by Mirza Hadi Ruswa approximately a prostitute from Lucknow.

Umrao Jaan (Rekha) experiences preparing in music and move, after being sold in Lucknow as a child.
She gets to be greatly well known with the first class course of Lucknow.

Umrao Jaan has a brief cherish story with Nawab Sultan (Farooque Shaikh).

She at that point finds comfort through her childhood companion Gauhar Mirza (Naseeruddin Shah). Moving absent from her choking life, she at long last runs off with desperado Faiz Ali (Raj Babbar).

Literary scholar Aijaz Ahmad (1992) composed approximately the female character in the book, saying:

“The outrage of Ruswa’s content is its recommendation that since such a lady depends upon no one man, and since numerous depend on her, she is the as it were moderately free lady in our society.

“Ruswa was a exceptionally conventional man, and he was essentially tired of certain sorts of ethical posturing.”

The fabulous outfits and sets, along with the music by Khayyam reflect the idea of extravagance, boosting Rekha’s performance.

The film has two hit Asha Bhosle ghazals such as ‘Dil Cheez Kya Hai’ and ‘In Ankhon Ki Masti.’

Shakti (1982)

Shakti is an activity dramatization film, bringing Bollywood legends Amitabh Bachchan and Dilip Kumar together.

The excessively intense police officer Ashwini Kumar (Dilip Kumar) is the father of Vijay Kumar (Amitabh Bachchan) who gets to be a criminal.

When criminal JK Verma (Amrish Puri) seizes Vijay as a child, he figures it out his father picks for obligation over fatherly love. This makes a division in the father-son relationship.

Subsequently, in spite of arguing his guiltlessness, Ashwini captures Vijay twice for wrongdoings he did not do. Denying to offer assistance his child, Ashwini is resolved that the law ought to take its course.

Ultimately, Vijay meets hotelier and smugger KT Narang (Kulbhushan Kharband)a. Sparing him once a child, Vijay sees Narang as a modern father figure.

In the middle of all this is Vijay’s enduring mother Sheetal Kumar (Raakhee). She is caught in the center of her spouse and child as JK Verma murders her.

The imaginatively shot night time scene sees Ashwini shooting Vijay on an airplane terminal runway.

Roma (Smita Patil), plays the adore intrigued of Vijay, with Ravi Kumar (Anil Kapoor) playing their son.

The film has capable exchanges and prevalent melodies such as ‘Humne Sanam Ko Khat Likha’ and ‘Jaane Kaise Kab Kahan.’

Prem Rog (1982)

Prem Rog is a sentimental film with social significance. The lead characters in the film Devhdar (Rishi Kapoor) and Manorama (Padmini Kolhapure) create a exceptionally solid friendship.

Devhdar starts to drop in adore with Manorma, but cannot express his sentiments as he is a destitute vagrant, while Manorama is the girl of Bade Raja Thakur (late Shammi Kapoor).

As a result, Manorama weds a wealthy Thakur, Kunwar Narendra Pratap Singh (Vijayendra Ghatge).

But in the blink of an eye after their marriage, Kunwar Pratap Singh meets his passing in a car accident.

She at that point returns domestic after the senior brother of her spouse, Raja Virendra Pratap Singh (Raza Murad) uncaringly assaults her.

When Devhdar learns almost how Manorama’s family is treating her dowager status, he comes to the rescue.

Eventually, Devhdar and Manorma battle Raja Pratap Singh and Virendra (Kulbhushan Kharbanda) for their adore and succeed.

Late on-screen character Nanda plays the part of Choti Maa, with Sushma Seth depicting the character of Badi Maa.

In 1983, the film won four Filmfare Grants beneath distinctive categories. The film has a superb soundtrack, with a few important songs.

Masoom (1983)

Masoom is a family acting around DK Malhotra (Naseeruddin Shah) who lives a cheerful life with his life partner Indu (Shabana Azmi) and two girls, Rinky (Urmila Matondkar) and Minni (Aradhana Srivastav).

DK’s life gets to be troublesome when he collects his child Rahul (Jugal Hansraj) from a boarding school and brings him domestic. Rahul is DK’s blood child from a brief undertaking he has with the terminally sick Bhavna (Supriya Pathak).

Following the passing of Bhavna, DK and his family receive Rahul. The nearness of Rahul influences the relationship between DK and Indu. But in the conclusion, Indu at last acknowledges Rahul and pardons DK’s mistake.

Suri (late Saeed Jaffrey) plays the steady companion of DK in the film.

The film highlights the idea of treachery and wrongness in a reflexive however basic manner.

Jaane Bhi Do Yaaro (1983)


Jaane Bhi Do Yaaro is a comedy film around two clumsy picture takers, Vinod Chopra (Naseeruddin Shah), an Sudhir Mishra (late Ravi Baswani)

The editor of a outrage sheet, Shobha Sen (Bhakti Bharve) utilizes Vinod and Sudhir to examine tycoon property engineer Tarneja (Pankaj Kapoor) and Civil Commissioner D’Mello (Satish Shah).

The picture takers disentangle the shady trade between Tarneja and his moreover awful rival Ahuja (Om Puri).

One of the builders murders the commissioner and wins a contract to develop a flyover, which collapses after a brief while.

Vinod and Sudhir lose D’Mello’s body when attempting to defend it as prove. This leads to a arrangement of occasions where a few individuals are chasing each other.

The film wraps up on a tragedy of treachery, with Vinod and Sudhir having to confront the law for the fly-over collapse.

The film alludes to Bombay’s degenerate lawmakers from the eighties.

Mr India (1987)

Mr India is a sci-fi superhero film approximately a defenseless Arun Verma (Anil Kapoor) who gets his father’s undetectable equation from Teacher Sinha (Ashok Kumar).

After getting to be Mr India, he massacres the fair Nazi-style lowlife Mogambo (late Amri Puri) and his friends, Daaga (Sharat Saxena) and Teja (late Ajit Vachani), kindness of the gadget.

With Arun looking after a few vagrants, he finds correspondent Seema Soni (late Sri Devi) as a occupant for his house. Seema detests kids, but in the long run makes companions with Arun’s received children and cook Calendar (Satish Kaushik)

The film highlights celebrities Ahmed Khan and Aftab Shivdasani as child actors.

Seema moreover falls in cherish with Mr India not knowing who he truly is and too persuades her boss Mr Gaitonde (Anny Kapoor) almost him.

Seema performs to the celebrated tune ‘Hawa Hawai’ and mirrors Charlie Chaplin in a scene too.

Qayamat Se Qayamat Tak (1988)


Qayamat Se Qayamat Tak is a shining high schooler sentiment that takes a leaf out of Romeo and Juliet (1595) by William Shakespeare.

The film unfurls when Raj’s father Dhanraj Singh (Dalip Tahil) murders Rashmi’s uncle Dharampal Singh (Ravindra Kapoor).

Dhanraj murders Dharampal since he impregnates his sister Madhumati (Seema Vaz) and at that point denies to wed her. Madhumati slaughters herself as a result.

Consequently, Dhanraj is sent to jail. After serving his sentence he joins his family who has a thriving business.

Meanwhile, amid a private visit Raj (Aamir Khan) catches the consideration of Rashmi (Juhi Chawla) at a wedding and falls in adore with her.

The two meet once more holidaying in Mount Abu, India and express their adore, in spite of their families being adversaries of each other.

Raj and Rashmi run absent when latter’s father, Randhir Singh (Goga Kapoor) comes to know around their relationship.

Making a domestic for themselves in a timberland, the couple appears cheerful together.

On the other hand, Randhir allocates a contract executioner to kill Raj. But when both families go looking for them, Randhir’s goons shoot Rashmi twice.

After overwhelming the criminals, Raj commits suicide by cutting himself with a dagger.

The film wraps up, with both families heading to Raj and Rashmi who lie dead together among the nightfall behind.

‘Ghazab Ka Hai Din’ and ‘Ae Simple Humsafar’ are well known tracks from this faction film.

Maine Pyar Kiya (1989)
Maine Pyar Kiya is a melodic film, reflecting the sentiment between a wealthy boy with a destitute girl.

Prem Choudhary (Salman Khan) who is the child of businessman Kishan Kumar Choudhary falls in cherish with Suman (Bhagyashree), girl of small-time technician Karan (Alok Nath).

Karan takes off Suman at Kishan’s house as he has to travel abroad for his business.

Kishan and his trade accomplice Ranjeet (late Ajit Vachani), along with his child Jeevan, make deterrents in the way of the two adore birds.

Prem’s mother endorses her son’s choice but has no sound say on the matter.

Upon Karan’s return, Kishan denounces him of taking off his girl to attempt and charm his child. Taking after the mortification, Karan and Suman return back to their town in the country.

Not cheerful approximately being absent from Suman, Prem takes after them in interest of his love.

Karan who still is incensed by the allegations of Kishan, tells Prem that he can as it were wed his girl if he wins cash by working and living separately.

With sheer coarseness and assurance, Prem drudges absent and wins a few cash. Indeed in spite of the fact that Jeevan and his partners in crime attempt to slaughter Prem, he survives.